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Next, the shoes take on almost physical presence, standing side by side, identical like Links of London lines that represent them. Black or brown, it's hard to remember but in them, the reader stumbles into poem's finale. The decision to read something at the day's end seems to promise a temporary relief but what gets pulled off the bookshelf is, ironically, Voltaire's "Zadig" the pessimistic tale of a philosopher's struggle with Fate, treacherous and questionably significant turns of destiny. Invoking Voltaire as a nightcap is significant. The French thinker of the Enlightenment era used literature and satire to package his political and philosophical views. It is to this writer that Shabtai turns seeking comfort, and it is a surprising conclusion for this nonVoltairian, intensely personal and artfully beautiful poem. Yet, so things Links of London Sweetie Bracelet big in Shabtai's poetry as the poems unfold in constant surprises, leaps between irreconcilable worlds, philosophies and passions. Appropriately, in the "Begin" poem, Shabtai recalls two Talmudic stories one about Rabbi Akiva, who followed Rabbi Joshua to observe the older sage's bathroom habits, and one about Cahana, who went so far as to hide under Rav's bed to observe the man's marital rituals both concluding "that's torah teaching and I need to learn." Following their example, Shabtai proclaims Aharon Shabtai's Erotic And Political Passions WAR LOVE LOVE WAR By Aharon Shabtai Translated links of london sale Peter Cole New Directions Books, pages. 'Keats called it negative capability. I call it a capacity for sustenance to sustain and be sustained, which is to say, to continue. And to continue means to always make and say something different." Thus writes Israeli poet and academic Aharon Shabtai in the afterword to his recently published collection of poetry, "War Love Love War," translated by Peter Cole. Almost years ago, English poet John Keats coined the idea of "negative capability" a poet's capacity to function suspended in mystery and uncertainty. Shabtai revisits this concept with a new perspective. For him, being a poet is not a mere state of languishing in the unknown but a persistent friction against the unknown's shaky borders, with a certain sense of poetic nourishment derived through this friction. For Shabtai, Links of London Bracelets essence of poetry is the movement toward new unknowns, a movement fraught with apocalypse and transformation. Indeed, Shabtai's book spanning more than three and a half decades of writing, is pure motion, an intense ride through styles, themes and voices.